In this introspective collection of recent paintings, Jeff Willmore explores the relationship between man and nature.  Placing various figures within his expressive landscapes and street scenes, the artist presents a vision that runs contrary to tradition, introducing psychological and whimsical elements in paintings that resemble performance pieces.  Although his earliest works were appropriately sketchy and brusque, the artist has since adopted the guise of iconic painters such as John Singer Sargent, Paterson Ewen and Edward Hopper, refining his eclectic approach though never losing its spontaneous edge. 

Willmore has made a practice of amassing field studies, as did earlier painters such as Tom Thomson and members of the Group of Seven.  He does this with a workman-like studiousness.  The artist’s pickup truck, which he calls his portable studio, allows him to sit comfortably as he documents the often tumultuous terrain.

Willmore’s work has been described as edgy, larger than life, humorous, and occasionally brutal.  His current works share a presence and energy that are revealed through the act of gouging of the paint surface. He speaks with pride about wearing his brushes down to nubs, defying formality and conveying the sheer exuberance with which he expresses his vision