Painters 11

Harold Town  ·  William Ronald  ·  Jock MacDonald

Harold Town

Enigma
Enigma, 1967
mixed media on paper, 25½" × 20"
French Postcard Series (1972)
French Postcard Series, 1972
oil pastel on canson paper, 25¾" × 19"
Girl with Bicycle (French Postcard)sold
Girl with Bicycle (French Postcard), 1971
grease crayon on paper, 27¼" × 32½"
Vale Variation #84
Vale Variation #84, 1973
pen, brush & ink, graphite, gouache, and oil pastel on canson, 19¾" × 25½"
Vale Variation #99sold
Vale Variation #99, 1974
gouache, watercolour & collage on paper, 17 1/8" × 30"
Vale Variation #235
Vale Variation #235, 1976
coloured crayon on paper, 19½" × 25½"
Windshield of Poetry
Windshield of Poetry, 1957
oil and lucite on canvas, 27" × 34¼"
Stages #38
Stages #38, 1987
mixed media on board, 26½" × 26½" × 3¾"
Waiting for the Jolly Green Giant
Waiting for the Jolly Green Giant, 1980
oil on canvas, 30" × 40"
Toy Horse #148
Toy Horse #148, 1979
mixed media on paper, 29½" × 36½"
Toy Horse #325
Toy Horse #325, 1982
mixed media on paper, 18" × 22"
Toy Horse #284
Toy Horse #284
mixed media on paper, 23½" × 23½"
Toy Horse (1976)
Toy Horse, 1976
pastel on paper, 25" × 18"
Toy Horse #229
Toy Horse #229, 1979
gouache/ink, 22" × 29½"
Toy Horse #243
Toy Horse #243
mixed media on paper, 30½" × 30"
The Circle Lostsold
The Circle Lost, 1959
oil on canvas, 8" × 10"
Snapsold
Snap, 1974
mixed media on canvas, 46¾" × 40"
Snap #94
Snap #94, 1974
oil on canvas, 60" × 60"
God Series #22
God Series #22, 1979
mixed media on paper, 19" × 25"
God Series #12sold
God Series #12, 1979
mixed media on paper, 19" × 25"
Untitled (1955)sold
Untitled, 1955
oil / collage on board, 33¼" × 43¾"
King Fence Sentinels #1sold
King Fence Sentinels #1, 1957
single autographic print on paper, 24" × 30"
Snow Palacesold
Snow Palace, 1957
single autographic print, 18"x 24"
Untitled (The Dig) (1957-1958)sold
Untitled (The Dig), 1957-58
single autographic print on paper, A/P, 25" × 30"

See: Harold Town's Popsters & Celebrities

William Ronald

Untitled #2
Untitled #2, 1992
acrylic on paper, 22" × 30"
Untitled #1
Untitled #1, 1992
acrylic on paper, 22" × 30"
Untitled #3sold
Untitled #3, 1993
acrylic on paper, 22" × 30"

Jock MacDonald

Kite Flyingsold
Kite Flying, 1948
oil on canvas, 26" × 36"

Slideshow

Painters 11 – Biography

Toronto's Painters Eleven (variant names: Painters 11 or P11) initially met as a group in 1953. Emerging a decade later than the Automatistes, they looked to New York for their immediate inspiration.

Stylistic individuality was always their artistic goal - they never attempted to articulate an aesthetic program. Painters Eleven was a disparate group, its members either quite young, or if they were not, still finding their way artistically, when they began to meet around 1950. They had their first show at the Roberts Gallery in 1954.

Later that same year, William Ronald (1926-1998) had his first one-man show at Hart House. All the while, Ronald was deciding that his future was to be in New York and moved there in 1954. American art critic, Lawrence Campbell wrote in Art News, "[Ronald is] the most sensational of the group," approving his "crude, vital, off-beat, scaffold-constructions, part automatist, part-deliberate". After his New York triumphs, Ronald moved back to Toronto and miraculously showed his new work at the Christopher Cutts Gallery in 2000. The Ronald of the second half of the 1950s had resurfaced uninhibitedly, the old central-image format back in all its painterly exuberance but tested and challenged.

Painters Eleven had a propensity to zero in on areas of dense detail where anything goes: the paint was squeezed, swirled, dribbled, splashed and scraped. The work of Harold Town (1924-1990) captures this expressive style in Oasis. Harold Malcolmson explained Town's procedure:

Town's characteristic method of constructing a canvas is the contrast of opposites. His approach is not to take a single idea and lay it out. Instead Town employs a colour, a shape, or a texture and then introduces its opposite and its opposite and so on. This technique of synthesis, antithesis, and resolution seems to me t o account for the fact that a Town canvas often seems a contest, an argument, a clash of opposed wills. Town will introduce a colour so brilliant, so brittle and powerful, that is seemingly must overbalance his picture, then with astonishing virtuosity and dexterity he will introduce some contrasting new elements that magically create a new equilibrium.

— Roald Nasgaard, Abstract Painting in Canada, Douglas & McIntyre Ltd., Vancouver, BC, 2007.

Gallery Gevik Exhibitions

Harold Town · Willaim Ronald · Jack MacDonald
Members of Painters 11
October 16 to November 5, 2010

(image: Kite Flying)
Harold Town
Paintings and Works on Paper
October 4 to October 15, 2008

(images: God Series #22, Enigma, The Windshield of Poetry)