Florida Palm, 1953-54 oil on canvas, 30" × 24" |
Double Bass, 1953-1954 oil on canvas, 30" × 24" |
Umbrella Tree, 1950 oil on masonite, 30" × 24" |
Prove in Black & Red (Noel) pen & ink on kromekote paper , 14½" × 10½" |
French Village, 1935 pen & ink on paper, 8" × 11" |
Goderich Farm watercolour on paper, 15" × 11" |
The Finite Wrestling with the Infinite, 1925 oil on board, 24" × 17" |
Shoes, c.1936 oil on board, 12" × 14" |
Green Bottle, c.1937 oil on board, 15" × 11½" |
Road-Side Shrine, Quebec, 1946 watercolour on paper, 13½" × 10½" |
Figure Study #2 pen & ink on paper, 11" × 8" |
Tree Trunk #13 pencil on paper, 10" × 14" |
Tree Top No.6, 1931 pencil on paper, 11" × 14" |
#13 Study of Trees, 1933 pencil on paper, 11½" × 8½" |
Lone Tree oil on board , 15" ×11½" |
Bertram Brooker (1888-1955) Artist Biography
Bertram Richard Brooker (March 31, 1888 March 22, 1955) was a Canadian writer, painter, musician, and advertising agency executive. Born in Croydon, England, March 31st 1888. Died in Toronto, Ontario, March 22nd 1955.
In 1931 Brooker was embroiled in a controversy about nudity in art when a painting of his was removed from a gallery exhibition because it contained nudity. Brooker later wrote the essay "Nudes and Prudes" in 1931 as a rebuke.
Brooker is regarded as the first Canadian abstract impressionist. He was strongly influenced in his development as an artist by LeMoine Fitzgerald.