Paul Chester

Lake #3
Lake #3
oil on wood panel, 30" × 36"
Tuesday's Field
Tuesday's Field
oil on wood panel, 30" × 30"
Country Field
Country Field
oil on canvas, 24" × 30"

Slideshow

Paul Chester – Artist Biography

Paul Chester

Inspired by the horizons, water scenes, and rolling hills that surround his studio in southeastern Ontario, the contemporary landscapes of Paul Chester are in the tradition of Canada's impressionists, though tempered by a modern sensibility. The fleeting, diaphanous vision demonstrates Chester's extraordinary relationship with nature. His paintings are hazy, almost dream-like, as if they are dug-up afterthoughts of emotion.

Various flat fields, swamps, wildflower patches and luminous skies are primarily recalled from memory and the results are suggested landscapes – personal impressions the artist gathers from the many walks he takes in the natural world. Serene visual representations are often inserted and raised in plywood so that the image can be extended outward onto the wooden surface. These expanded landscapes often blur as one moves out from the centre, implying a faded, fragmented memory – a glimpse or recall going in and out of focus.

While powerful evocations of time and place, Chester's paintings are not individually derived from specific locations. He often amalgamates fragments of recollection...an abstracted autumn landscape at dusk. The location of Place 34 is undermined by the lasting impression of the central image – a crashing tide in the distance, framed in memory by a seemingly endless golden slather of beach.

In Return, the artist reproduces his thought process for the viewer – he draws his recollection of a vast, browning Ontario farmland in three distinct blocks, highlighting the subtle variations in the dark, worn ground while the handmade frame serves as a window that enhances the depth of the scene. In Time Moment, the canvas is developed with layers of paint and the surface scratched with a palette knife, revealing the sharp reds underneath. This physicality, which Chester attributes to his background as a sculptor, provides a visual representation of how a landscape is interpreted in the mind's eye –not as a photographic image, but as a heightened accumulation of colour and sensation. In Places, an early spring thaw surrounds two rural Ontario farmhouses, isolating them in a milky stew that hints of the colours of the forthcoming months.

Somewhat of a departure, but in keeping with Chester's interest in man's relationship with nature, are some alternatively peaceful and intense water scenes. In Ocean Way Chester creates an ominous tone through the use of multiple layers of blue and green oil paint, which lend well to the cold choppy waves of the Atlantic. The serenity of a quiet island nestled among a swampland is the subject of Island 3, and, as in many of Chester's landscapes, the horizon line appears in the upper third of the canvas, emphasizing the expansiveness and subtle variations in the reflection of the water.

In his engaging, remarkable windows on the natural world, Paul Chester elucidates his poetic vision and challenges the way the Canadian landscape is captured in art.

Daphne OdjigDaphne Odjig, Canadian Indigenous Artist and Icon Dies at 97. Click here for more details.

Odjig is frequently referred to as the "Grandmother of Indigenous Art." She has been the recipient of many awards, honours and recognitions for her works, to name a few: The Order of Canada, the Governor General's Award, and eight Honorary Doctorates. Her works have been shown in the National Gallery of Canada, The McMichael Canadian Art Collection, the Canadian Museum of Civilization and the Art Gallery of Ontario.


She established the first native-run fine art print house in Winnipeg, Manitoba in 1971. Known as 'Odjig Indian Prints,' this print house was so successful that it evolved into an Indigenous gallery space in 1974, called the New Warehouse Gallery, run by Odjig and her husband, Chester Beavon. She was also a founding member of the Indian Group of Seven. This artistic group's purpose was to promote Contemporary Indigenous art and artists.

Alex JanvierAlex Janvier's major retrospective, "Alex Janvier: Modern Indigenous Master" is now open at the McMichael Canadian Art Collection in Kleinburg, Ontario until January 21st, 2018. Afterwards, it will travel to the Beaverbrook Art Gallery in Fredericton and the Glenbow Museum in Calgary.

This exhibition was recently on display at the National Gallery of Canada in Ottawa and the MacKenzie Art Gallery in Regina. Alex Janvier is one of Canada's most acclaimed contemporary artists. His career of sixty-five years has yielded thousands of paintings, and more than twenty-five murals and public commissions. (Photo credit: Kim Griffiths)

Rita LetendreGallery Gevik congratulates renowned Canadian and International abstract painter, Rita Letendre, on her first major museum retrospective exhibition outside of Québec. Rita Letendre: Fire and Light is now open until September 17, 2017 at the Art Gallery of Ontario.

This exhibition, which covers Letendre's career from the 1960's to 2000's, is co-curated by Wanda Nanibush and Georgiana Uhlyarik. The retrospective features nearly forty large-scale paintings drawn from major national public and private collections.

Letendre was widely exhibited with the artistic groups, Les Automatistes and Les Plasticiens. She has received the Governor General's Award in Visual Arts, the Prix Paul-Émile Borduas, and the Orders of Canada, Ontario and Québec. Click here for more details.